Sets, songs and the players on the night.

Sets are laid out from the hours you’re booked for, with your clients’ picks put in and anything that doesn’t fit flagged in amber. Print them, or take the gig sheet.

On the night, the live sheet is on your phone: mark what’s playing, and nudging one set earlier or later moves everything after it. The plan itself never changes.

Your songs by style, each with its key, who sings it and how long it runs. Retire one and it stays in your history.

Your clients choose from it on their Music tab: a song for each special moment, what to play if there’s time, and what not to play.

When your clients ask for a song you don’t play, say yes with a day to learn it by, included or as an add-on. Nothing is charged here.

Each event’s requests sit in one place: songs to learn, special moments, please play and please don’t.

Drag each thing to where it stands on a stage drawn to size, with the input list, the power and what the venue needs to provide.

Print it for the venue, with your number on it and nothing about money. Start each event from your usual plot.

A player for each part, asked and then confirmed, each with their call time. Someone who hasn’t said yes stands out.

A confirmed player goes on the event’s crew, and two gigs on one day are flagged.